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Corn Exchange Drama Festival 2026

Book Tickets

Thursday 11 Jun 20267:30pm Book Now
Friday 12 Jun 20267:30pm Book Now
Corn Exchange Drama Festival 2026

This is the 35th Wallingford Corn Exchange Drama Festival, one of several festivals in the region where you can see amateur dramatics at its best and hear and learn from a professional adjudicator about acting. Each group is given 1 hour to build their set, perform their play and strike the set. There will be two plays each night and an adjudication at the end. And on the Friday night the winners and prizes will be announced including a punters’ prize that audience members can award. This year Alan M. Hayes from the Guild of Drama Adjudicators will be judging. Alan’s professional training was at Italia Conti Stage School, followed by a B.Ed. (Honours) in Drama and Education. He has acted in theatre, television and radio, and directed more than 100 stage performances.


This years’ entries are:


Tues 9th June – Sinodun Players with Death Knock by Mike Rowbottom; and Drayton Players with Bankers Gone Bananas by Sue Hadley.


Weds 10th June – Branching Out Drama Society with Don’t Panic by John Drew; and The Compton Players with The House With The Lights Still On by Pete Watt.


Thurs 11th June – Banbury Cross Players with A Handbag by Anthony Horowitz; and Abingdon Drama Club with Sganarelle by Molière.


Fri 12th June – HAODS with The Tussington Paradox by Julie Huntington; and Henley Players with I Can’t Remember Anything by Arthur Miller.


Moss & Freud (15)

Book Tickets

Saturday 13 Jun 20267:30pm Book Now
Moss & Freud

Supermodel Kate Moss, embarks on a journey of self discovery when acclaimed artist Lucian Freud offers to paint her picture. For Moss, her life tumultuous and unpredictable, the sessions provided solace, an eye in the hurricane. And Freud through his searching, exploring conversational style – was able to find the vulnerabilities that lay just beneath the surface of Moss’s very public life. Freud became a wise and witty teacher and Moss brought out a paternal streak in him, perhaps lacking with some of his own progeny. Ironically, neither Moss nor Freud particularly loved the finished portrait, completed in 2002, though the art world did. It sold in auction in 2005 for £3.5m. It was never about money for the

pair. Instead they forged a special friendship based upon a sense of profound connection and the end result - a bond of love and mutual respect. A story about two huge personalities sizing each other up, a rapport/attraction, an exchange in life experience, lessons learnt and reflection, a painting in progress, outside pressures and, finally, a baby in utero. Using Kate Moss herself as our central storyteller and narrator, our film is a charming and revealing bio-pic full of incongruity, contrasts, connection, warmth, humour and surprise.